Product DetailsIn Hollywood (1945)
The last of Bud Abbott and Lou Costello's three MGM features, Abbott & Costello in Hollywood is a loose remake of Buster Keaton's Free and Easy. Bud and Lou play a pair of Tinseltown barbers who dream of becoming high-priced showbiz agents. Their first clients are Frances Rafferty and Robert Stanton, whose careers may be over before they begin when A&C manage to antagonize powerful producer Donald MacBride and stuck-up film star Carleton Young. The plot serves only as a clothesline upon which to hang several sidesplitting comedy routines: Abbott teaching Costello how to give a shave, Lou vainly trying to get a good night's sleep, a "stunt man" bit involving the tremulous Costello and hulking Mike Mazurki, and a wild roller-coaster finale. MGM contractees Lucille Ball, Jackie ""Butch"" Jenkins, Preston S. Foster and Robert Z. Leonard make guest appearances.
Lost in a Harem (1944)
Lost in a Harem is arguably the best of Abbott & Costello's trio of MGM films; it's certainly the silliest, with any number of nonsensical plot twists and sidesplitting gags. This time, Bud Abbott and Lou Costello play Pete and Harvey, two American magicians stranded in a mythical Arabian Nights kingdom with songstress Hazel Moon (Marilyn Maxwell). Our heroes and heroine become involved with the trials and tribulations of Prince Ramo (John Conte), who hopes to rightfully reclaim his throne from his evil usurping uncle Nimativ (Douglas Dumbrille). Alas, the villain is armed with a pair of hypnotic rings with which he forces everyone to do his bidding: his most anti-social act is to kidnap and hypnotize the entire Jimmy Dorsey Orchestra! Pete, Harvey, Ramo and Hazel risk death at every turn to thwart Nimativ, encountering a giant guard, a gibbering lunatic (Murray Leonard) and a bevy of harem beauties along the way. The film's sets and costumes, as well as the more elaborate musical numbers, are "borrowed" from the recently completed MGM superproduction Kismet.
And as a bonus, this is the film in which Bud and Lou, accompanied by Murray Leonard, perform those deathless burlesque classics "Slowly I Turned" and "Mike's Place."
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