Product DetailsBig Night Awkward teenager George LeMain (John Drew Barrymore, credited as John Barrymore Jr.) is given a small birthday party by his widowed father Andy (Preston Foster) at his bar. He is puzzled that his father's longtime girlfriend, Frances, is not there, but neither Andy nor Flanagan (Howland Chamberlain), bartender and George's surrogate mother, will say why. George is embarrassed when he is unable to blow out all the candles on his cake, but that's nothing compared to the humiliation to come when sportswriter Al Judge (Howard St. John) enters the tavern. Judge orders the elder LeMain to remove his shirt ("Show me some skin," he demands) and get down on all fours. Andy meekly offers no resistance when Judge brutally canes him. Enraged at both Judge and his father, George takes a gun from the cash register and goes off into the night to settle the score. His first stop is the fights, where after getting conned out of his money, he meets Lloyd Cooper (Philip Bourneuf), an alcoholic college professor who later introduces him to his girlfriend Julie Rostina (Dorothy Comingore) and her sister Marion (Joan Lorring). Although George and Marion hit it off, she tells him he is too young for her. Resuming his hunt, George finally comes face to face with Judge and learns that Frances, who was Judge's sister, had killed herself because Andy refused to marry her. Sleeping Tiger A deadly triangle of repressed lust develops between petty criminal Frank Clemmons (Dirk Bogarde), Dr. Clive Esmond (Alexander Knox), an eminent psychiatrist and his beautiful wife Glenda (Alexis Smith). Caught robbing Dr. Esmond at gunpoint, Clemmons volunteers to become part of the doctor's social rehabilitation experiment rather than serve a prison sentence. Confined to the Doctor's home for six months, Clemmons becomes a plaything for Esmond's radical psychotherapy and a target for young wife Glenda's stern moral reprimands. Repelled and then attracted by Clemmons' smoldering glances, Glenda pits doctor against patient - husband against lover - according to her own perverse desire for attention and domination by men. Murder and violence hang in the air, while murky loyalties and allegiances stew to a shocking climax of animalistic fury. The Crminal Directed by American expatriate Joseph Losey, the British The Criminal is a gloom-wallow elevated by superb performances. Top crook Stanley Baker plans a clever bank robbery. It goes off hitchless, but the clerk responsible for "laundering" the stolen money insists upon a bigger percentage of the take, else he'll blow the whistle. Baker hides the money, whereupon he is turned over to the law by his ex-girlfriend, who is in cahoots with the clerk. Baker refuses to reveal the whereabouts of the loot, so his old gang arranges to have him broken out of jail -- and also arranges for Baker's "accidental" demise. Eva In this dark drama, a writer finds himself infatuated with the hooker he recently met. For her, he dumps his fiancee and begins spending all his money on her. The hooker cares nothing for him, berates him, then abandons him. He returns and marries his fiance, but soon takes up again with the whore. When his bride discovers the affair, she commits suicide. The writer remains undetered. His love, by now has become obsessive. In order to get her out of his head, he decides to kill her. Before he gets the chance, she dumps him once and for all. The devastated writer's life contain to spiral downward into a grim life of loneliness and poverty. Servant Wealthy wastrel James Fox hires insouciant cockney Dirk Bogarde as a valet. No sooner has he donned his working clothes than Bogarde begins exercising a subtle but insidious control over his master. Suggesting that the house could use a little fixing up, Bogarde convinces Fox to spend a whopping amount of money on it. But this is just a warm-up session for Bogarde, who by mid-film is calling all the shots in the Fox household, all the while pretending to keep his place. Fox's fiance Wendy Craig sees through Bogarde's game. Bogarde then brings his own lady friend Sarah Miles into the house. At Bogarde's insistence, Miles seduces Fox, thereby loosening Craig's hold on the confused young man. Accident The complex relationships among an Oxford professor, one of his students, and the young woman who captivates both of them is the subject of this difficult but rewarding drama. Director Joseph Losey and writer Harold Pinter had previously collaborated on 1963's The Servant, and they surrounded this recasting of a Nicholas Mosley novel with a similar atmosphere of ominous mystery. The story is presented through flashbacks and disconnected memories that trace the characters' interactions. Though the mood is occasionally brightened by satirical views of the academic world, the overall effect is rather somber, concerned with missed opportunities, unhealthy obsessions, and unavoidable regret. Dirk Bogarde superbly captures the pensive professor's torment, with able support from Jacqueline Sassard and Michael York as the younger couple. Go Between The third collaboration between director Joseph Losey and writer Harold Pinter, following The Servant and Accident, continues their exploration of class rituals and the darker recesses of desire. Pinter's script adapts the 1953 L.P. Hartley novel about Leo Colston, a middle-aged man (Michael Redgrave), recalling a summer of his early adolescence at a country estate. Young Leo (Dominic Guard) observes the machinations of the adults in the household, all but two of whom conveniently ignore his presence. Marion Maudsley (Julie Christie) is promised in marriage to another aristocrat, but she is secretly in love with farm worker Ted Burgess (Alan Bates). They enlist Leo as their messenger, with tragic consequences for all concerned. The older Leo has never married, and as the story winds on, it becomes clear that his own infatuation with Marion irrevocably altered his life. Mr Klein Alain Delon plays Mr. Klein, a French-Catholic art dealer during the Nazi occupation. Strapped for cash, Klein takes financial advantage of his Jewish neighbors, knowing that they have no legal recourse. Ironically, Klein is himself mistaken for a missing Jew, a man who has been using Mr. Klein's name as a cover for his secret operations. As he desperately seeks out that man, he learns a bitter lesson about life in the other man's shoes.
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