Product DetailsAs Tears Go By Though as gritty as any 80’s Hong Kong gangster picture, AS TEARS GO BY is a watershed film heralding one of the most auspicious directorial debuts in international cinema. Wong Kar-Wai’s visually stunning, tough and romantic 1988 first feature deftly smuggles the director’s now celebrated genius into an incendiary "Heroic Bloodshed" street opera of the John Woo mold. Already stretched to breaking in a loyalty tug of war between Triad bosses and his loose cannon partner, Wah (Andy Lau - FULLTIME KILLER, DAYS OF BEING WILD), a rising star in the HK underworld, finds himself saddled with beautiful, ailing country cousin Ngor. As an escalating test of wills with a stubborn debtor explodes into bloodshed and a mob turncoat instigates a ruthless police crackdown, Wah’s growing fascination with Ngor becomes his last chance for escape from a violent past and a dubious future. Cast in comic eye candy roles prior to AS TEARS GO BY, Maggie Cheung (IN THE MOOD FOR LOVE) cites Ngor, her first of many collaborations with Wong Kar-Wai, as the character that truly began her dramatic career. Under Wong Kar-Wai’s direction, Jacky Cheung (DAYS OF BEING WILD) earned the 1988 Hong Kong Film Awards Best Actor Award for his portrayal of Wah’s guilt-ridden, out of control partner Fly. Balancing epiphanous imagery with experimentation and realism with brazen romanticism, Wong Kar-Wai’s AS TEARS GO BY offers a tantalizing glimpse into the nascent brilliance of one of the most influential filmmaking talents of the last twenty years. Days of Being Wild In his first hypnotic backward glance at Hong Kong in 1960, Wong Kar Wai creates a post-modern La Ronde set in a fluorescent labyrinth of cool desperation and unfulfilled need. Against the echoing rhythms of period rumbas, Days of Being Wild tracks a half dozen characters through their individual searches for intimate connection. Collaborating for the first time with cinematographer Christopher Doyle, Wong Kar Wai's restless visual imagination decorates this dreamlike fable with characteristic muted extravagance. Days of Being Wild offers an intoxicating cocktail of lush nostalgia and bitter alienation equaled only by Wong Kar Wai's subsequent films. Star crossed Asian film icon Leslie Cheung (Farewell My Concubine, Happy Together) plays Luddy, a devastatingly handsome Hong Kong lothario who seduces and forsakes women without compunction. Abandoned at birth, Luddy's self-destructive search for love is really a Quixotic quest for a feeling of permanence and a sense of identity. When Luddy beguiles lovely shop girl Su Lizen, he unknowingly sets in motion a sequence of broken hearts and unremembered promises that climaxes in naked obsession, inadvertent self-discovery and shocking violence. In possibly her most engaging performance, Maggie Cheung (In the Mood for Love, As Tears Go By) invests Su Lizen with ethereal beauty and street level vulnerability. With a supporting cast of Hong Kong cinema notables, including Andy Lau (Fulltime Killer, As Tears Go By) as Su's policeman confessor, and frequent Wong collaborator Tony Leung (In the Mood for Love, Happy Together), Days of Being Wild's visionary audacity and deep romantic conviction sustains and rewards multiple viewings. Fallen Angels Commonly regarded as one of the most influential directors of contemporary cinema, Wong Kar-Wai (Happy Together, In the Mood for Love) has developed a signature style that employs bold, experimental uses of photography, music, and editing to capture the tension of the new millennium. Originally intended to be a third story in his now classic Chungking Express, Fallen Angels has emerged as what some critics have come to consider his "quintessential work." Set in the neon-washed underworld of present day Hong Kong, Fallen Angels intertwines exhilarating tales of love and isolation, primarily the unconsummated love affair between a contract Killer (Leon Lai Ming) and the ravishing female Agent (Michele Reis) who books his assignments and cleans up after his jobs. Happy Together Winner of the Best Director prize at the 1997 Cannes Film Festival, Wong Kar-Wai's Happy Together is a stunning display of filmmaking style and a touching story of love on the brink of dissolution. Hong Kong cinema superstars Tony Leung and Leslie Cheung play a pair of lovers living out the waning days of their relationship as expatriates in Buenos Aires. Lusty tango bars, the salsa music of the La Boca sidewalks, and a hypnotic visit to the nearby Iguazu Falls give further dimension to the tensions growing between the two lovers. With its "stylistic magic" (Newsweek), Happy Together cemented the international reputation of Wong, the director of such films as In the Mood for Love and Fallen Angels.
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