Product DetailsIn the late twenties and early thirties, Yasujiro Ozu was working steadily for Shochiku studios, honing his craft on dozens of silent films in various genres, from romantic melodramas to college comedies to gangster pictures—and, of course, movies about families. In these three droll domestic films—Tokyo Chorus, I Was Born, But . . . , and Passing Fancy, presented here with all-new scores by renowned silent-film composer Donald Sosin—Ozu movingly and humorously depicts middle-class struggles and the resentments between children and parents, establishing the emotional and aesthetic delicacy with which he would transform the landscape of cinema. Tokyo Chorus Yasujiro Ozu 1931 Low wage–earning dad Okajima is depending on his bonus, and so are his wife and children, yet payday doesn’t exactly go as planned. Exquisite and economical, Yasujiro Ozu’s film alternates between brilliantly mounted comic sequences and heartrending working-class realities. I Was Born, But . . . Yasujiro Ozu 1932 One of Ozu’s most popular films, I Was Born, But . . . is a blithe portrait of the financial and psychological toils of one family, as told from the rascally point of view of a couple of stubborn little boys. Passing Fancy Yasujiro Ozu 1933 The first of many films featuring the endearing single-dad Kihachi (played wonderfully by Takeshi Sakamoto), Passing Fancy is a humorous and heartfelt study of a close, if fraught, father-son relationship.
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